2011 | VIDEOEXHIBITIONS
SEPTEMBER 1 - DECEMBER 31, 2011
Sarawut Chutiwongpeti, The installation series of "Untitled 2004" (At the Dawn of the 21st Century : A View Thought "The Red Window" The Critical Time of the World Civilization), 2004, digital photography on Diasec, 7 x 5 in
ARTIST'S CONCEPT
This art project work (a three-dimensional work and mixed media installation) focuses on the mechanisms of perception and dreams, the private world of the world of fantasy and the unconscious, the conditions underlying the system by which mind and spirit operates. At the same time, the (in)-visibility of the structure ignites a confusion in the viewers' perception of the work and of the space where it is placed, thus provoking and ambiguous relationship between the object, its function and its appearance and unlock a mysterious force field on the border of truth and lie, that is able to create unexpected angles of approach which in turn force the viewer to take up a new position in the observation of the surrounding world.”
I graduated from the Department of Fine and Applied Arts at Chulalongkorn University in 1996. Since graduation, I have been working as a media artist with Cyber Lab at the Center of Academic Resources, Chulalongkorn University. I work in the realm of contemporary art and am interested in revealing the unexplored facets of experience. In 1998-2010, I secured funding and traveled as a visiting artist/researcher to several countries such as: Canada, the United States of America, Denmark, Finland, France, Norway, Sweden, Slovenia, Slovakia, Hungary, Croatia, Austria, Italy, Germany, United Kingdom, Egypt, Singapore, Sri Lanka, Malaysia, Korea and Japan. I have already made some contribution to the development of the media arts through my artistic and research practice, and related international activity at the Banff Centre for the Arts (Canada), ImaginAsia Project, Smithsonian Institution (The Freer Gallery of Art and The Arthur M.Sackler Gallery, United
State of America), ZKM Project, (Institute for Visual Media, Germany), Designskolen; Biennial Theatre Festival - Sight 'n Vision, Nordic Theatre Union (Denmark), Fukuoka Asian Art Museum; Collaboration Art Network In-Between; Waseda University; Kobe University of Design (Japan), Central European University (Hungary), International Cultural Centre Jeunesses Musicales Croatia Groznjan (Croatia), The TOU SCENE Contemporary Centre of Art; The Nordland Kunst 0g Filmskole; The Trondheim Electronic Arts Centre; The Kunstakademiet Trondheim (Norway), Luleå Winter Biennial; The Beeoff/Splintermind; The Ricklundgården and The Royal University College of Fine Arts (Sweden), Kiasma Museum of Contemporary Art, The Pro Artibus Foundation and Art Centre Saksala ArtRadius (Finland), Galleria Civica di Arte Contemporanea and rodesera>Centrale fies (Italy), MAAP-Multimedia Art Asia Pacific, Nanyang Technological University (Singapore), Rimbun Dahan and ABN AMRO-Malihom (Malaysia), Designing Your Future, Berlinale Talent Campus 2005, Haus der Kulturen der Welt (Germany) and Biennale Bibliotheca Alexandrina 2005, Arts Center, Bibliotheca Alexandrina (Egypt); Gyeonggido Museum of Modern Art, National Museum of Contemporary Art, Danwon Arts Museum, Arko Museum, Songsan Art Hall, Alternative Space Loop, Soeul Art Museum , Hankuk Art Museum, Korea International Art Fair (Korea), ADCNI Biennale 2009 (Reunion, France) and Flaxart Studios (United Kingdom).
I am directing my energies towards the exploration of the phenomenon of cross-interdisciplinary of art and culture, and searching for answers that can help reverse the subordination and objective materialism, which are prevalent in today‘s society. What are the thoughts, doubts, fears, uncertainties, and reflections that we have and experience as we head towards the new material and immaterial territories, which we are to inhabit in the future? In a world increasingly becoming chaotic and inhumane, I found that all around us are racial and tribal wars, artificially constructed boundaries, confusion, and conflicts. How should we interpret these? Signs of Times? in their context? In what way are contemporary media arts responsible for a transformation of society?
The concept of the art project "At the Dawn of the 21st Century: A View-Thought „The Red Window” (“The Critical Time of the World Civilization") originated in the digital experiments with the photomontage materials.
Later, I added some architectural elements, electronic light controls, sound effects, so that this project evolved into a three-dimensional work. I combined all these elements and blended them in the abstract world of my imagination, in order to create in reality an artistic and public space lived through time. Since 1996, this project has been accepted to several exhibitions: “Tomorrow Where Shall We Live?” (curated by Toyo Ito and supported by the Japan Foundation, Faculty of Architecture, Chulalongkorn University, 1996); “Utopia 1997” (curated by Apinan Poshyananda, the Art Center, Center of Academic Resources, Chulalongkorn University, 1997); “OPEN’ 999,” 2nd International Exhibition of Sculpture and Installations in Lido, Venice/“II Esposizione Internazionale
di Sculture e Installazioni Lido di Venezia” (curated by Paolo de Grandis and Pierre Restary, organized by the Arte Communications and supported by the Assessor of Culture of Venice, Italy, 1999); “Siggraph 2000” (curated by Diane Gromala, Art Galleries, Ernest N. Memorial Convention Center, New Orleans, USA, 2000); "Palace of Light, Art and Culture in the Public Space" (curated and organized by Davis O. Nejo, Cross Cultural Communication, supported by European Union and Wien Kulture, Vienna, Austria, 2003); "Metamorphosis", "International Festival of Sculptures”, (curated by Zoran Srdi, University of Ljubljana, Ljubljana, Slovenia, July 2003); Luleå Winter Biennial 2004” (curated and organized by KILen-The artist group in Luleå, supported by The European Union Structure fund Goal 1, Luleå municipality, Luleå Employment office-Culture and Media, County Administrative Board of Norrbotten, Norrbotten County Council, The Swedish National Council for Cultural Affairs and The Swedish Institute, Luleå, Sweden, 2004); The Installation series of Untitled (Wishes, Lies and Dreams >> Heartsick On The Open Sea With Stars…), (curated by Åsa Lönnqvist, Peter Heinström and Magdalena Holm, The Pro Artibus Foundation Gallery, Ekenäs, Finland, 2005); The Installation series of “Untitled 2007” (curated and organize by Uchida Hiroshi, support by The Japan Foundation, 2007); “The Installation series of Untitled (Wishes, Lies and Dreams >> Tomorrow is Another Day...)”, "Art Now 2007", (curated by Hong-hee Kim, Gyeonggido Museum of Modern Art, Gyeonggi-Do, Korea, 2007) "Installation series of Untitled (Wishes, Lies and Dreams)”, (curated and organize by Eunjung Son and Sohee
Kim /Curator, Alternative Space LOOP, Somee Kim/Program manager, MIZY Center, PROJECT STANDING BY OOO. season4, XI Gallery, Seoul, Korea, 2008); “Installation series of Untitled (Wishes, Lies and Dreams)”, (curated and organize by Cheong Jong Hyo, Choi A Reum, KIAF Operation Committees and Galleries Associate of Korea, Korea International Art Fair 2008, Seoul, Korea, 2008); “The Installation series of Untitled (Wishes, Lies and Dreams)”, (curated by Anna Kang, Changdong Public Art Project, National Museum of Contemporary Art, Seoul, Korea, 2008) ; “Installation series of Untitled (Wishes, Lies and Dreams)”, “Red Carpet” (curated by Yoon Soo Kim and Jae won JEONG, IASK- National Museum of Contemporary Art, Seoul, Korea, October 2008 (Catalogue and Press Release); “The Installation series of Untitled (Wishes, Lies and Dreams>> I Want To Believes..!)”, (curated and organize by Alain Seraphine and committees of the ADCNI,
ADCNI Biennale 2009, Réunion , France, 2009); "The Installation series of Untitled (Wishes, Lies and Dreams)”, (curated by Michael Davidge and Jocelyn Purdie, Modern Fuel Artist-Run Centre and Union Gallery, Ontario, Canada , 2009); "The Installation series of Untitled (Wishes, Lies and Dreams)”, (curated by Helga Fox-HF Contemporary Art Gallery, Art Projects , London Art Fair 2010>> Modern and Contemporary British Art, Business Design Centre, London, United Kingdom, 2010); “The Installation series of Untitled (Wishes, Lies and Dreams)”, (curated by Gary Sussman, The Art Students League of New York, New York, U.S.A., 2010) ; "The Installation series of Untitled (Wishes, Lies and Dreams)”, (curated by Flax Art Studios Artist‘s Group, Flax Art Studios, Belfast, United Kingdom, 2010) and “The Installation series of Untitled (Wishes, Lies and Dreams)”, (curated by Robert Wilson, Organize by Benefit Chairs, Contemporary Chairs and Contemporary Committees, Watermill Center, New York, U.S.A, 2010); "The Installation series of Untitled
(Wishes, Lies and Dreams >> He Message...)", (curated by Janaína Melo, The selection committees: Maria Montero (an independent curator and producer), Nathalie Angles (founder of Unlimited Residency in New York), Francisco Magalhaes (director of the Mining Museum), Anita Beckers (collector and owner of Gallery Anita Beckers in Frankfurt), Silke Bitzer (independent curator and art critic in Switzerland), JACA- Jardim Canadá, Centro de Arte e Tecnologia, Belo Horizonte, Brazil, 2010)
2. METHOD
The project‘s emphasis is on the two interwoven processes. The first step was to search for new
expressive possibilities afforded by the contemporary visual language, as related to the cutting edge of "The Critical Time of the World Civilization." I have explored the mental processes and various paradigms in order to represent the contemporary civilization clearly, without biases-the action that always constitutes specific challenges for contemporary art, modern art and/or media arts. I had experimented with real-practice problems and analyzed the way in which they affect the internal sense until I was able to come up with the design solution.
The results of the first step will have to be tested and the various findings project will have to be integrated. The conclusion will be drawn when research work associated with the New Art project will have been accomplished and the final ways of art will have been established.
3. RESULTS AND DISCUSSIONS
From the 17th century onward, the advancement of new technologies has had a tremendous impact on every human being in the world. At the same time, the scientific developments have provoked numerous ethical and moral issues. High-end technology is often times goes against the faith and religious believes in heaven (just one but vivid example: through the scientific experiments humans managed to produce new life by cloning, in the course of which new cells are being created by means of bioengineering). In my view, the effort to invent new
goods following the demand and basic human needs means simply to satisfy the desire and passion of the basic individual living. The varieties of happiness look as Virtual Reality that refer to the fifth internal senses‘ content only a section short-temporary or extremely mobilize new-science technology to seek benefit of all directions. Nobody even thinks of a future if they know that they can gain immediate benefits from the fusion of sub-particles and atoms. In a search for new territories, they are ready to go to the outermost galaxies of the solar system, for their desire does not know an end. Some people strive to set up and expand their administrative power while
hunting for the new colonies that would reinforce their status as masters in the world. (Looking at the weak subordinate is an act of supremacy.) With the progress of technology, our morality is vanishing. Lack of morality becomes an insanity of the many; including separating a rack of mobility among the gain and the loss, a superior and inferior of an extremely discrimination. Aesthetical feeling, memory, optimism and common sense — all these are being distorted and destroyed because of a profound change in the human behavior in the last century.
Our society is producing nothing in peace. The virgin world was painfully trapped and damaged by illusionist tricks. This current situation cannot be neglected or left without rethinking, and this becomes the central focus as well as the cutting edge of "The Critical Time of the World Civilization.
4. CONCLUSIONS
Our world is full of uncertainties and ambiguities. The society views its surroundings in a purely
scientific way. In my opinion, civilization with its science is unable to provide valid answers or satisfactory explanations. Frequently, knowledge comes with the power whose impact reaches far beyond the individual‘s intuition and intellect. Scientific achievements have challenged moral codes and ethics as well as faith and religion. Science and technology can bring a threat and do harm to the humanity. The reverse side of utopia is pessimism. A human quest to conquer distant galaxies and an endless search for new colonies reflect the longing for power, aggrandizement, and control. The imbalance of power between those who control and those who are controlled has led to a general disorder and the dilemmas. In the era of mass confusion and distorted values, aesthetics and common sense are greatly subverted. In the early 21st century, we are facing the crisis of the world civilization.
ACKNOWLEDGMENT
I gratefully acknowledge the generous support of The Ministry of Culture and Tourism Republic of
Korea, The Japan Foundation, The Swedish Institute, The Swedish National Council for Cultural Affairs, The Prince Claus Fund, The European Union, The Wien Kulture, The Open Society Arts & Culture Network Program, The Cross Cultural Communication, The Luleå municipality, The Luleå Employment office-Culture and Media, The County Administrative Board of Norrbotten, The Norrbotten County Council, The Kolding Kommune, The Pro Artibus Foundation, The Byrd Hoffman Water Mill Foundation, The Brazilian Ministry of Culture, The Gyeonggido Museum of Modern Art, The Danwon Art Museum , The Arko Museum, The Royal University College of Fine Arts, The Banff Centre for the Arts, The International Cultural Centre Jeunesses Musicales Crotia Groznjan, ZKM-Institute for Visual Media Center for Art and Media, The Designskolen, The TOU SCENE Contemporary Centre of Art , The Nordic Theatre Union, The Central European University, The
Smithsonian Institution: The Freer Gallery of Art and The Arthur M. Sackler Gallery, The Southeast Asian Computer Graphics Society, The Nanyang Technological University, The Fukuoka Asian Art Museum, The Kobe University of Design, The Nagoya Design Center, The Waseda University, The Chulalongkorn University, Alternative Space LOOP, MIZY Center, XI Gallery, Korea International Art Fair, National Museum of Contemporary Art, ADCNI Biennale, Modern Fuel Artist-Run Centre and Union Gallery, Canada Art Council for the Arts, London Art Fair, HF Contemporary Art Gallery, The Art Students League of New York, Flax Art Studios , Watermill Center and JACA-Jardim Canadá Centro de Arte e Tecnologia.
REFERENCES
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50. Markus Petz, 4th Pirkanmaa Triennial "TRUTH", Pispala Contemporary Art Centre, Tampere, Finland, September 2009 (Press Release)
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58. Helga Fox (HF Contemporary Art Gallery), The Installation series of Untitled (Wishes, Lies and Dreams), Art Projects , London Art Fair 2010>> Modern and Contemporary British Art, Business Design Centre, London, United Kingdom, January 2010 (Press Release)
59. Gary Sussman, The Art Students League of New York, The Installation series of Untitled (Wishes, Lies and Dreams), New York, U.S.A., January 2010 (Press Release)
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63. Robert Wilson, New York Times, New York Magazine, Wall Street Journal, Fashion Week Daily, WWD EyeScoop,Vanity Fair, New York Social Diary, New York Post, Patrick McMullan, Interview Magazine, Luxist, Hamptons.com, Style.com/Vogue, Fox News, Artlog, Theaterlife, US Magazine, Huffington Post, BizBash, PanachePrivee.com, Manhattan Society, Images by Lovis Dengler, The Installation series of Untitled (Wishes, Lies and Dreams), Paradiso: The 17th Annual Watermill Summer Benefit, Watermill Center, New York, U.S.A. July 2010 (Catalogue and Press Release)
64. Sandrine Micosse, Open Space Projekt ZWISCHENRAUM f r KUNST MIGRATION,
http://migration-boell.de/web/integration/47_2589.asp, Heinrich-Böll-Stiftung, Berlin, Germany,
July 2010 (Press Release)
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66. Janaína Melo, Fluxo-Espaço-Ocupação, "The Installation series of Untitled (Wishes, Lies and Dreams >> He Message...)", JACA- Jardim Canadá Centro de Arte e Tecnologia, Belo Horizonte, Brazil, December 2010 (Catalogue) Appendix The original concept/ideas "At the Dawn of the 21st Century: A View-Thought, The Red Window" ("The Critical Time of the World Civilization") expanded into a three-dimensional work, which contains the architectural structure, electronic lighting control, and sound effects thus creating a living spatial–temporary environment.
BIOGRAPHY
Born: 1970, Bangkok, Thailand
EDUCATION
1978-1984
Primary School Studies Education,
Satee Thai Foundation of Thailand School, Bangkok,
Received a Certificate of Primary School
1984-1987
Secondary School Studies Education,
Nonsee Vittaya School, Bangkok, Received a Certificate of Secondary School
1986
Practice Studies Education, College of Si Phraya Technic, Bangkok,
Received a Certificate in Visual Art
1987-1990
Vocational Studies Education,
College of Fine Art, Bangkok, Received a Certificate of Vocational Studies in Fine Art
1990-1992
High Vocational Studies Education,
College of Fine Art, Bangkok, Department of Graphic Art,
Received a Certificate of High Vocational Studies In Graphic Art
1992-1996
University Studies Education,
Chulalongkorn University, Bangkok, Department of Visual Art, Faculty of Fine and Applied Arts,
Received a Certificate of B.F.A.(Visual Art/Photography)
Practice Studies Education, College of Si Phraya Technics, Bangkok,
Received a Certificate in Electronic: Practice Studies Education,
College of Si Phraya Technics, Bangkok, Received a Certificate in Computer
1998
Practice Workshop, "ZKM - Chulalongkorn University", Institute for Visual Media
Center for Art and Media (Karlsruhe, Germany) and Faculty of Science, Chulalongkorn University
Practice Workshop, "Shape Modeling Base on Singularity , The University of Tokyo
(Japan) and Faculty of Science, Chulalongkorn University
Japan Foundation Fellowship, supported by The Japan Foundation, Collaboration Media
Arts/Architectural/Drama
1999-2000
Research Studies, “Contemporary Architecture”, Graduate School of Science and
Engineering,Waseda University, Tokyo, Japan
Research Studies, “Contemporary Art”, Fukuoka Asian Art Museum, Fukuoka, Japan
Practice Workshop, “Sense of Perception”, International Design Center Nagoya, Nagoya
Design Center, Nagoya, Japan
ImaginAsia Program, Smithsonian Institution: The Freer Gallery of Art and The Arthur M.Sackler
Gallery, Washington DC, U.S.A.
Residency, Slo Mo, Media & Visual Arts, The Banff Centre for The Arts, Alberta, Canada
Residency, Experimental Television Centre, Owego, New York State, U.S.A.
2001
Guest Student, Department of Interactive Media, Designskolen Kolding, Kolding, Denmark
2003
Guest Researcher, Central European University, CEU Summer University, “Visual Studies
Today”, Budapest, Hungary
Residency, METAMORPHOSIS, International Festival of Sculptures, SOU-University of
Ljubljana, Ljubljana , Slovenia
Swedish Institute Scholar, supported by The Swedish Institute, Contemporary Art/ Media Arts
Guest Student, Royal University College of Fine Arts, Stockholm, Sweden
Practice Workshop with Rirkrit Tiravanija, Royal University College of Fine Arts,
Stockholm, Sweden
2004
Residency, Beeoff/Splintermind Project, Stockholm, Sweden
Residency, Young European Artist, Emma Ricklund Foundation, Ricklundgården, Saxnäs, Sweden
Workshop, Mobile Outskirts, Trondheim Elektroniske Kunstsenter, Trondheim, Norway
International Symposium with a Workshop in Architecture, Theory and Design In The
Digital Age, International Cultural Centre Jeunesses Musicales Croatia Groznjan, Groznjan,
Croatia
2005
Workshop, DESIGNING YOUR FUTURE, Berlinale Talent Campus 2005, 55th Berlin
International Film Festival, Haus der Kulturen der Welt, Berlin, Germany
Workshop, Imagining the Book II, Biennale Bibliotheca Alexandrina 2005, Arts Center,
Bibliotheca Alexandrina, supported by Bibliotheca, Alexandrina Alexandria, Egypt
Workshop, INTERNATIONAL ARTISTS SYMPOSIUM III and ARTHAPPENING
VellaNOarte2005, Tuscany, Italy
Residency, The Pro Artibus Foundation, Ekenäs , Finland
2006
Residency, Saksala ArtRadius Oy, Haukivuori, Finland
Workshop, Locative Media: Rautatieasema returns, Kiasma, Museum of ContemporaryArt,
Helsinki, Finland
Workshop, Moving Stage Lab - Copenhagen Laboratory 2006, Biennial Theatre Festival Nordic
Theatre - Sight 'n Vision, Nordic Theatre Union, Copenhagen, Denmark
Residency, TOU SCENE Contemporary Centre of Art, Stavanger, Norway
2007
Residency, Collaboration Art Network In-Between, Fukuoka, Japan
Residency, Gyeonggido Museum of Modern Art/Danwon Art Museum, Ansan City, Gyeonggi-
Do, Korea
Residency, Rimbun Dahan, Selangor, Malaysia
2008
Residency, ABN AMRO-Malihom, Penang, Malaysia
Residency, Changdong International Artists Studio Program Korea, National Museum of
Contemporary Art, Seoul, Korea
Workshop, PROJECT STANDING BY OOO. season4, organize by Alternative Space LOOP and
MIZY Center, XI Gallery, Seoul, Korea
2009
Residency, ADCNI Biennale 2009, La Réunion, France
Visiting Artist, Modern Fuel Artist-Run Centre and Union Gallery, Ontario, Canada
Residency, The Art Students League of New York, New York, U.S.A
2010
Residency, Flaxart Studios, Belfast, United Kingdom
Residency, Theertha International Artists Collective, Colombo, Sri Lanka
Residency, Watermill Center, New York, U.S.A.
Residency, The Virginia Center for Creative Arts, Virginia, U.S.A.
Residency, Gershwin Hotel, New York, U.S.A.
Residency, The Millay Colony for the Arts, New York, U.S.A.
Residency, The JA.CA – Jardim Canadá Centro de Arte e Tecnologia, Belo Horizonte, Brazil
Residency, The Vermont Studio Center, Vermont, U.S.A.
Upcoming
2011
Residency, The Clay Studio, Philadelphia, U.S.A.
Residency, Pyramid Atlantic Art Center, Maryland, U.S.A.
Residency, Bundanon Trust Art Program, New South Wales, Australia
REFERENCES
References will be provided on request.
Experiences & works
1992
Freelance Artist
Artist-Designer, Fantasy Land Company Limited, Bangkok
1994
Artist-Designer, Triplet & August Company Limited, Bangkok
Practice Training, S.P.V. (for Macintosh), Bangkok
1995
Practice Designer, B.S.O. (Bangkok Symphony Orchestra Foundation), Under the Royal Patronage
of his Royal Highness Crown Prince Maha Vajiralongkorn, Bangkok
Practice Training, D.I.R.(Digital Image Reproduction Company Limited), Bangkok
1996
Representative to participant and working with United Nations, ASEAN Photo Exhibition on
occasion"50 years United Nations", United Nations, Bangkok
Assistant Research/Photograph for "Art Galleries in Thailand"
Artist-Designer & Public Relation,Office of the President, Union Bank of Bangkok Public Company
Limited, Bangkok
Assistant Architecture, Peri Power Company Limited, Bangkok
1997-1998
Multimedia Artist-Designer, Cyber Lab, Centers of Academic Resources, Chulalongkorn University,
Bangkok
1999-2000
Multimedia Artist-Designer, The Gem and Jewelry Institute of Thailand, Chulalongkorn University,
Bangkok
2001-Present
Independent Artist/Researcher
2002
Director, KAO Country Director Board (Head office: Kinetic Art Organization, Florida, U.S.A)
SOLO EXHIBITIONS
2003
The Installation series of “Untitled 2003” (Palace of Light), Art Screen-Art and Culture in the Public Space, AT
Untitled, Rocketart Gallery, AU
2004
The Installation series of Untitled (Wishes, Lies and Dreams), Art Gellery Mellanrummet, SE
Beeoff/Splintermind Project, Untitled (Wishes, Lies and Dreams III); Kiasma Museum of Contemporary Art Helsinki; Museet for Samtidskunst; Museum of Contemporary Art ;
Atelier Nord; Norrbotten County Museum; Gävleborg County Museum; Jönköping County museum; Gotland Museum of Art and Blekinge Museum
2005
The Installation series of Untitled (Wishes, Lies and Dreams) and series of “Untitled”, Art Gallery of Nanyang, SG
The Installation series of Untitled (Wishes, Lies and Dreams), Brown Univ, USA
The Installation series of Untitled (Wishes, Lies and Dreams), Northern Illinois Univ, USA
Untitled (Wishes, Lies and Dreams II), Blue Oyster Gallery, NZ
The Installation series of Untitled (Wishes, Lies and Dreams >> Heartsick On The Open Sea With Stars…), ProArtibus, FI
2006
The Installation series of Untitled (Wishes, Lies and Dreams), 24HR Art - NT Centre for Contemporary Art, AU
The Installation series of Untitled (Wishes, Lies and Dreams >> From Crystal To The Stars…), Mikpoli IT Centre Hall, FI
2007
The Installation series of “Untitled 2007” (Primitive Cool), Japan Foundation Art Gallery, TH
The Installation series of Untitled (Wishes, Lies and Dreams), Tallinna Linnagalerii, EE
The Installation series of Untitled (Wishes, Lies and Dreams), Art Gene Limited, UK
The Installation series of Untitled (Wishes, Lies and Dreams), Artspace Tetra, JP
The Installation series of Untitled (Wishes, Lies and Dreams), Baracca Space, NL
2009
The Installation series of Untitled (Wishes, Lies and Dreams), Union Gallery, CAN
2010
The Installation series of Untitled (Wishes, Lies and Dreams), The Art Students League of New York, U.S.A.
The Installation series of Untitled (Wishes, Lies and Dreams), London Art Fair 2010>> Modern and Contemporary British Art, Business Design
Centre, UK
2011
The Installation series of Untitled (Wishes, Lies and Dreams >> Tomorrow Is Another Day… ), Organhaus Art Space, CN
Series of Untitled, The Davis Lisboa Mini-Museum of Contemporary Art, ES
GROUP EXHIBITIONS
1996
The installation series of "Untitled1996"( Tomorrow Where Shall We Live?), Chulalongkorn Univ, TH
1997
The installation series of Utopia 1997, Art Center, Chulalongkorn Univ, TH
1998
THE MILLENIUM ART COLLECTION, Stichting 2000 Foundation, NL
2000
Siggraph 2000, Ernest N. Morial Convention Center, USA
2001
CYNETart, Medien kulturzentrum PENTACON, DE
IV Biennal Internacional de Fotografia, Institut Municipal d'Accio Cultural, ES
2002
REACTIONS, Exit Art Gallery, USA
Coop_02, Museum of Contemporary Art/Kalinderu Medialab, RO
Biennal festival X, Museo Elder De La Ciencia Y La Tecnologia, ES
Tehran Biennial, Tehran Museum Of Contemporary Art, IR
Unforgettable, Berliner Kunstprojekt, DE
Next Move, ICA-Institute for Contemporary Art, SG
METAMORPHOSIS, International Festival of Sculptures, SI
V Biennal Internacional de Fotografia, Institut Municipal d'Accio Cultural, ES
2004
Another world is possible-Let's build it, The World Social Forum, IN
Luleå Winter Biennial, SE
Spring Exhibition, Art Gellery Mellanrummet, SE
OUTVIDEO, National Centre for Contemporary Art, RU
Art+Communication Festival, RIXC Centre for New Media in Riga, LV
Art at War, Aldo Castillo Gallery, USA
MAAP (Multimedia Art Asia Pacific), Nanyang Technological Univ, SG
2005
Untitled (Wishes, Lies and Dreams), Holt Gallery, UK
DESIGNING YOUR FUTURE-Berlinale Talent Campus, Haus der Kulturen der Welt, DE
BoundLess, Touring Exhibitions: Stenersenmuseet (Oslo); Bodø Kunstforening (Bodø), Sogn og Fjordane, Kunstmuseum - Eikaasgalleriet (Jølster); Trondarnes, Distriktsmuseum (Harstad); Eidsberg kommune, Kulturkontoret (Eidsberg); Grenselandmuseet (Kirkenes) and Stavanger Kunstforening (Stavanger)
The Capture of the Temporal: New Works in Photography and Video, Turchin Center for the Visual Arts, USA
Untitled, Paper Politics (West), Phinney Center Gallery, USA
Biennale Bibliotheca Alexandrina, Alexandrina Arts Center, EG
HK Artist"s Biennale (Moonstruck), Club 64, HK
Salón de Arte Digital, Museo de Arte Contemporáneo del ZULIA/MACZU, VE
International Prize for Performance, Galleria Civica di Arte Contemporanea in collaboration with drodesera>centrale fies, IT
Capturing Utopia, Fournos Center for Digital Culture, GR
International Kaunas Art Biennial, M. Zilinskas Art Gallery, LT
2006
Global Groove, Art Gallery of Knoxville, USA
5 Continent, Saksala ArtRadius Center, FI
Pikseliähky 2006, Kiasma Museum of Contemporary Art, FI
Interfacce::fotoesordio, Galleria Nazionale d'Arte Moderna e Contemporanea, IT
Tou Night Performance, TOU SCENE Contemporary Centre of Art, NO
The Installation series of Untitled (Wishes, Lies and Dreams), L' Association Fais Des Bulle, FR
Displaced, Independent Museum of Contemporary Art, CY
Gene Culture (coincide with Liverpool Biennial), Slaughter House Gallery, UK
Biennale 3000 São Paulo, Mac USP, BR
2007
BIENAL DE ESCULTURA DE VALLADOLID, Fundación Municipal de Cultura Valladolid, ES
DESERT GENERATION, Touring Exhibitions: Jerusalem Artists' House & Kibbutz Art Gallery (IL) and Meneer de Wit Gallery (NL)
CAe2007, Banff Center for the Arts, CAN
The Most Curatorial Biennial of the Universe, Apexart, USA
Art Now 2007, Gyeonggido Museum of Modern Art, KR
2008
KUNST IN DER CARLSHÜTTE gGmbH 2008, DE
Changwon Asian Art Festival, Songnam Art Hall, KR
PROJECT STANDING BY OOO, XI Gallery, KR
Point, Alternative Space LOOP, KR
KIAF2008, Korea International Art Fair 2008, Coex, KR
Chang dong Public Art Project, IASK- National Museum of Contemporary Art KR
Red Carpet, IASK- National Museum of Contemporary Art, KR
Continuing Power of Asia, Hankuk Art Museum, KR
World Open Art Festival, Seoul Museum of Art, KR
2009
The Critical Time of The World Civilization, ART OF EMERGENCY, Artneuland Berlin Space, DE
Techno Photography, series of “Untitled” by HF Contemporary Art, Lauderdale House, Upper Gallery, UK
Between the Eyes: a One Night Stand with GILT ,GILT gallery for contemporary art, NZ
MICHAEL JACKSON Tribute by HF Contemporary Art, Draywalk Gallery, UK
4th Pirkanmaa Triennial "TRUTH", Pispala Contemporary Art Centre, FI
ASIAN ART, HF Contemporary Art, UK
Gong Ju International Art Festival 2009, Limlip Art Museum, KR
VI Bienal Internacional de Arte SIART, BO
ADCNI Biennale 2009, FR
2010
The Last Book (El último libro), Zentralbibliothek Zürich, CH
The Fantastic Garden, Changwon Asian Art Festival, Songsan Art Hall,KR
The Installation series of Untitled (Wishes, Lies and Dreams), Red Dot Gallery, SK
One Night Only SCREENING, Greyfriars Art Space, UK
FASHION FUSION' by HF Contemporary Art, Truman's Brewery, UK
KUNST IN DER CARLSHÜTTE gGmbH 2010, DE
Open Space Projekt ZWISCHENRAUM für KUNST & MIGRATION, Heinrich-Böll-Stiftung, DE
Paradiso: The 17th Annual Watermill Summer Benefit, Watermill Center, USA
HF Contemporary Art - 'SUMMER ART & FASHION SHOW', Memorial Hall, UK
Light Art Biennale Austria 2010, ArtP.kunstverein, AT
HF Contemporary Art, Grand Opening New Gallery In Berlin, HF Contemporary Art Gallery, DE
Reflective Light Exhibition, Touring Exhibitions: 'Gallery Leegang' in Changwon city, 'Gallery AA' in Geoje city. 'Gallery Yoon' in Andong city , KR
Independents Liverpool Biennial 2010, Gallery4all, UK
CURATE NYC, Rush Arts Gallery in Chelsea, the Essex Street Market on the Lower East Side, La Marqueta Open Plaza in East Harlem and the Richmond County Bank Ballpark at St. George on Staten Island, USA
JACA-Jardim Canadá Centro de Arte e Tecnologia, BR
Open Studio, The Vermont Studio Center, USA
20-20interarts, danse+arts – Festival Interarts,CAN
Spectacle Slideshow Potluck, Spectacle Theatre, USA
2011
The Last Book (El último libro), Aguilar Branch of the New York Public Library, USA
An Exchange with Sol LeWitt, A two-part exhibition in collaboration with MASS MoCA, Cabinet (New York) and Massachusetts Museum of Contemporary Art (Massachusetts), USA
Open Studio, The Vermont Studio Center, USA
15th Luleå Art Biennial, SE
OSTRALE´011, DE
XIV INTERBIFEP Biennial, BA
The Contemporary Asian Art exhibition, HF Contemporary Art Gallery, DE
ARTLIVE 2011: A GLOBAL DISCOURSE ON THE STATE OF THINGS, CATM Chelsea Gallery and FUND ART NOW, USA
Innovation/Leap/Dream- The 12th China Changchun (High-tech Development Zone) International Sculpture Symposium, CN
MAY 1 - AUGUST 31, 2011
Karen Aune,
Neoptiks, 2010, digital print and oil on canvas, 5,9 x 5,9 x 3,9 in
In spite of the fact that technology has turned into an inevitable “way” trough which we think this one also it is in the map" of a time for coming […] to the form that will adopt this culture in this future time. " (1)
The work of Karen Aune communicates strangeness, sequences that for all it’s uprooting they create a short circuit opposite to any effort to try to understand them. This work is constructed from visual patrons extracted as autonomous organs that across the software it repeats, climbs and moves from a work to another. Neoptiks makes neither a sense of beginning nor end; its elements flow paradoxically in the space though the suggestion of a narrative of vague familiar forms persists in this work.
The manipulation of the program - intermediate act between the original image and the prototype bases of the painting - has direct consequences in its final appearance; the infinite scale in which the images can reproduce from the computer seems to dilute from appearances, volume, space, and perspective over the pictorial surface. The colors sometimes are flat and others contaminated, saturated and vibrant. The digital image does not stop existing implicitly inside the painting and therefore it works as device of a "spetacularized" recreation as a simulacrum of the reality to come. (…)
Neoptiks, arranges as signs of the reality a system of abnormalities that are reminiscent of El Bosco; exist in this work a certain voyeurism that is the continuation of the work with structures that depart from the organic thing as the body, as basic condition of the material thing across the topologic exhibition of the tissue as the original element and mutant, as redemptions of Adam and Eve in which the subject seems visceral. This way, the visual acts of our current society produces acts of seeing and to devote seeing itself, of looking and being seen across which the subject is produced. This performative visual act is articulated across the experience of the subject by the field of the vision, in such a way that the own subject of vision comes to be controlled as such by the decisive power of this field. (2)
(1) José Luis Brea. El tercer Umbral: estatuto de las prácticas artísticas en la era del capitalismo cultural.
(2) Idem 1
Karen Aune was Born in Brasil in 1971, lives and work in Bogotá, Colombia since 2006, currently working as an assistant professor at Universidad de los Andes, Bogotá.
* The project Neoptiks was the recipient of the call for funding research projects and creation of the Department of Design 2009, Universidad de los Andes, Bogotá
* Foto: William Aparicio
EDUCATION
2005 Masters of Advanced Studies (MAS / DEA) Universidad de Barcelona, Spain.
SOLO EXHIBITIONS
2010 - “Neoptiks Beta”- MAMBO - Bogota Modern Art Museum, Colombia
2010 - “Neoptiks”- Casa tres Patios, Medellín, Colombia
2010 - “Neoptiks” - Aliance Française of Bucaramanga, Colombia
2009 – “Neoptiks Alfa” - LA Gallery, Bogota, Colombia
2006 - “Neodynamics: Stem Cells” - “Brasil Arte Actual” - Valenzuela y Klenner Gallery Bogotá, Colombia
2006 - “Fragmentos de una Metástase Amorosa: Flúo” Galería h10, Valparaíso, Chile
2002 - “Neophytos 5:57pm * Estratégias para contemplar” - Sérgio Porto Cultural Space, Rio de Janeiro Brasil
2001 - “Psicossexualidade” - Vicente do Rego Monteiro Cultural Center, Recife, Brasil
2001 - “Monólogo a Dois” Paschoal Carlos Magno Cultural Center, Niterói Brasil
2001 - “Psicossexualidade” Poste Gallery, Niteroi Brasil
2000 - “Psychosexuality” - Alternativa Once Gallery, Monterrey México
1997 - “Y la vida continúa...” - Nuevo León House of Culture, Monterrey México
1996 - “Vida empieza con vida” - Eleanor Jackson Gallery, Montemorelos México
COLLECTIVE EXHIBITIONS
2009 - “ARTBO” –International Art Fair of Bogotá - LA Gallery- Corferias, Bogotá, Colombia
2008 - “ARTBO” – International Art Fair of Bogotá - LA Gallery- Corferias, Bogotá, Colombia
2008 - “Diario Natural” - MAMB Bucaramanga Modern Art Museum, Colombia
2008 - “Seres Híbridos elniuton en 241* palabras #1” - Matik Matik, Bogotá, Colombia
2008 - “Estranha; Coletiva a arte e o outro” - Durex Arte Contemporánea, Rio de Janeiro, Brasil
2008 - “XV BBVA Art Salon” – Barranquilla Modern Art Museum, Barranquilla, Colombia
2008 - ““XV BBVA Art Salon” - La Tertulia Modern Art Museum, Cali, Colombia
2007 - “XV BBVA Art Salon” - Museum of Antioquia Casa de Encuentro, Medellin, Colombia
2007 - ““XV BBVA Art Salon” - Casa de Moneda del Banco de la República, Bogotá, Colombia
2007 - “Technicolor: Pintura Expandida” - LA Gallery, Bogota, Colombia
2006 - “Paranaturais” - Paschoal Carlos Magno Cultural Center, Niteroi Brasil
2006 - “Onde” – LGC Gallery, Rio de Janeiro Brasil
2006 - “Dona Maria I Louca ou Piedosa?” Candido Mendes Cultural Center -,Rio de Janeiro, Brasil
2005 -“III Bienal de Realismo y Figuración Contemporánea” – Clave Gallery, Murcia Spain
2003 - “Canvis, Continuïtat i Canvis:Tempo Multimediatic"- Punt Multimedia Casa del Mig, Barcelona Spain
2002 - “Panorâmica”- Candido Mendes Cultural Center Rio de Janeiro Brasil
2002 - “Niteroi Arte Hoje”- Centro Cultural Candido Mendes Cultural Center Rio de Janeiro, Brasil
2002 - “Niteroi Arte Hoje”- Niteroi Contemporary Art Museum, Niteroi, Brasil
2002 - “Eterno em torno”- Candido Mendes Cultural Center, Rio de Janeiro, Brasil
2001 - 33o Contemporary Art Salon of Piracicaba - Miguel Dutra House of Art, Piracicaba, Brasil
2001 - “Cómo es que los autos no vuelan aún?” – Art Center of Monterrey, México
2001 - “Gente Látex”- Conselheiro Paschoal Cittadino Cultural Center, Niteroi Brasil
2001 - “Ajúa Proud”- Candido Mendes Cultural Center, Rio de Janeiro Brasil
2000 - 57o Contemporary Art Salon of Paraná – Curitiba Contemporary Art Museum,Curitiba, Brasil
2000 - 32O Contemporary Art Salon of Piracicaba - Miguel Dutra House of Art, Piracicaba Brasil
2000 - 26o National Art Salon of Belo Horizonte – Pampulha Museum, Belo Horizonte Brasil
2000 - Salao Pernambucano de Artes Plásticas Edición 2000 - Torre Malakoff, Pernambuco Brasil
2000 - “Colectiva”- Arcaute Gallery, Monterrey México
2000 - “Ambigú” - Ego Lounge, Monterrey México
1999 - “Instalaciones e Intervenciones In Situ” - Casa Blanca de Montemorelos, Montemorelos México
1999 - XIX Reseña de la Plástica Nuevoleonesa –Nuevo León House of Culture, Monterrey México
1998 - XVIII Reseña de la plástica Nuevoleonesa - Nuevo León Pinacoteque , Monterrey México
1998 - “El Retrato como pretexto” - BF15 Gallery, Monterrey México
AWARDS & GRANTS
2000 - Acquisition Prize - 57o Contemporary Art Salon of Paraná – Curitiba Contemporary Art Museum Brasil
2000 – Acquisition Prize - 26o Contemporary Art Salon of Belo Horizonte – Pampulha Museum - Belo Horizonte Brasil
1989 - Jury Distinction - Boston Globe Art Award, Massachussets USA
PUBLIC & PRIVATE COLLECTIONS
Collection of Curitiba Contemporary Art Museum, Curitiba Brasil
Collection of Pampulha Art Museum, Belo Horizonte Brasil
Candido Mendes University Collection , Rio de Janeiro, Brasil
JANUARY 1 - APRIL 30, 2011
HUNTER COLE, Living Drawings, 2010, installation (movie of drawings created with bioluminescent bacteria, two painted plastic toys art, size 2,5 x 2 x 1,5 in and one plastic cube size and label, size 1 x 1 x 1 in
BIOGRAPHY
Hunter Cole, formerly Hunter O’Reilly, is an internationally shown artist and an experienced geneticist. She reinterprets science as art through the creation of living artworks, abstractions, digital art and installations confronting issues related to biotechnology in our culture. Cole holds a Ph.D. and Master’s degree in Genetics from the University of Wisconsin–Madison, and a Bachelor of Science from the University of California-Berkeley.
Hunter Cole is frequently listed with other artists who create what is often referred to as bioart. Cole has taught both biology and art at Loyola University Chicago, the University of Wisconsin-Milwaukee and the University of Wisconsin-Parkside.
Hunter Cole creates Living Drawings with bioluminescent bacteria. These Living Drawings depict the cycle of life and death calling attention to our own mortality. On Petri dishes Cole creates controlled line drawings using bioluminescent bacteria. The bacteria grow, first appearing with bright light, then dim and gradually die off as available nutrients are depleted. Bacteria are photographed using a time-lapse technique over a two-week period. Bacteria become collaborators in the art as it grows and dies. Exhibitions have shown combinations of living bacterial drawings growing on Petri dishes, photographs, and a movie of the time-lapse photographs with music based on protein sequence found in the bacteria. Cole's Living Drawings were a part several exhibitions such as It’s Alive! A Laboratory of Biotech Art presented at Monserrat College of Art in Beverly, Massachusetts, Creative Adaptation in the Visual Arts presented at Concordia University Kreft Center for the Arts in Ann Arbor, MI, Glow presented at the North Carolina Museum of Natural Sciences in Raleigh, NC, The Summer of Abstractions presented at Syracuse Technology Garden, Syracuse, NY, and Living Drawings + Photographs by the Light of Bioluminescent Bacteria presented at Greyfriars Art Space in King's Lynn, Norfolk, United Kingdom. Cole's Living Drawings have also been exhibited at the Loyola University Museum of Art in Chicago, and the Honors College at Oakland University in Rochester, Michigan. Nature Genetics magazine featured Cole’s Living Drawings on its cover.
Hunter Cole created music based on protein sequence found in bioluminescent bacteria accepted to SoundLAB VII – soundCELEBRATION - 10 years - [NewMediaArtProjectNetwork]:||cologne.
Hunter Cole joined the Biology Department faculty at Loyola University Chicago in the Fall 2004. Notably in 2001, Cole created the course, Biology through Art, first offered at University of Wisconsin-Parkside. Students have opportunities to create innovative artworks in a biology laboratory. Currently she teaches this course at Loyola University Chicago. Biology through Art helps students from all disciplines to think outside the box. Biology through Art focuses on several areas in the biological sciences from molecular biology to human anatomy. Students view microorganisms, use DNA as an artistic medium, create music based on DNA and protein sequence, and see anatomy as art. Contemporary artists that use biological concepts and biological materials in their art are also discussed. Beginning Fall 2008 at Loyola University Chicago, Hunter Cole taught a new course BioArt: Exploring Living Organisms through Art, which she created. With her extensive laboratory experience, Hunter Cole brings a unique and challenging perspective to the world of biotechnology via art.
Cole has received grants from the Chicago Community Arts Assistance Program, the Puffin Foundation and the University of Michigan Life Sciences, Values and Society Program to create art for exhibitions reinterpreting science as art looking at positive aspects of biotechnology. The National Institutes of Health commissioned her to create paintings based on cancer genomics and cancer proteomics.
Cole's exhibition Genetic Revelations was presented at the University of Alabama School of Public Health in Birmingham. The exhibition Radioactive Biohazard showed the Porter Butts Gallery at the University of Wisconsin-Madison, at the Warren Robbins Gallery at the University of Michigan, and at the Walker’s Point Center for the Arts (Milwaukee). In Radioactive Biohazard, Cole confronts issues related to human cloning, stem cell research, and the human genome project, among others. Hunter Cole’s art has been shown internationally including England, Italy, Japan, the Czech Republic, New York, San Francisco, and Chicago.
Additionally, Cole’s art has been featured on the covers of several scientific journals including Nature Biotechnology, Nature Genetics, Genetics in Medicine, Nature Reviews Genetics, Trends in Ecology and Evolution, Developmental Dynamics, The EMBO Journal, and Neural Notes.
Hunter Cole co-authored a paper on “Art and Genetics” with Joe Davis, Dana Boyd and Marek Wieczorek published in the Encyclopedia of Life Sciences (ELS). Cole has been the subject of numerous newspaper and magazine articles. Publications that have discussed Cole's work in art and science, among others, include Science, The Scientist, Chicago Tribune, Detroit Free Press, Muy Interesante (Spain), plus Le Monde and Beaux Arts magazines (France). Additionally, Hunter Cole has presented seminars on bioart throughout the United States such as at the School of the Art Institute of Chicago, the American Museum of Natural History (New York), the Massachusetts Institute of Technology (MIT) and at the Dialogue Between Science and Art Workshop in Hluboka, Czech Republic.
EDUCATION
2000 - Ph.D. in Genetics, University of Wisconsin-Madison
1996 - M.S. in Genetics, University of Wisconsin-Madison
1993 - B.S. with Honors in Plant Biology, University of California - Berkeley
1989 - Lowell High School - San Francisco, CA
1998, 2001-2002 - Study with Master Printer Andrew Balkin, AGB Graphics, Madison, WI
GRANTS AND AWARDS
2006 - Chicago Community Arts Assistance Program Grant
2004 - World Technology Award Nominee in the Arts
2002 - Penny W. Stamps Distinguished Artist
2002 - University of Michigan Life Sciences, Values and Society Program Grant
2001 - University of Wisconsin-Milwaukee Cultures and Communities Grant
2000 - Puffin Foundation Grant
SOLO EXHIBITIONS
2009 - EBOLA is beautiful! Flag, Temporary Allegiance Project, Gallery 400, Chicago, IL
2006 - Living Drawings, Loyola University Museum of Art, Chicago, IL
2005 - Living Drawings, Honors College at Oakland University, Rochester, MI
2004 - Genetic Revelation: Reinterpreting Science as Art
University of Alabama School of Public Health, Birmingham, AL
2003 - Radioactive Biohazard: Reinterpreting Biotechnology as Art
Hunter O’Reilly and collaboration with Electric Eye Neon
Porter Butts Gallery, University of Wisconsin-Madison, Madison, WI
2002 - Radioactive Biohazard: Reinterpreting Biotechnology as Art
Hunter O’Reilly and collaboration with Electric Eye Neon
Warren Robbins Gallery, University of Michigan, Ann Arbor, MI
2001 - Radioactive Biohazard: Reinterpreting Biotechnology as Art
Hunter O’Reilly and collaboration with Electric Eye Neon
Walker's Point Center for the Arts, Milwaukee, WI
1999 - Abstract Faces Series, Assisi Collective Gallery, Madison, WI
1998 - Abstract Faces Series, Sunroom Gallery, Madison, WI
GROUP EXHIBITIONS
2010 - Creative Adaptation in the Visual Arts, Concordia University Kreft Center for the Arts, Ann Arbor, MI
Glow, North Carolina Museum of Natural Sciences, Raleigh, NC
SoundLAB VII – soundCELEBRATION - 10 years
[NewMediaArtProjectNetwork]:||cologne
Living Drawings + Photographs by the Light of Bioluminescent Bacteria, Greyfriars Art Space, King's Lynn, Norfolk, United Kingdom
Chicago Art Open, River East Art Center, Chicago, IL
2009 - CWCA Members’ Exhibition, St. Paul's Cultural Center, Chicago, IL
2008 - CWCA Members’ Exhibition, Peter Jones Gallery, Chicago, IL
Chicago Art Open, Merchandise Mart, Chicago, IL
2007 - It’s Alive! A Laboratory of BioTech Art, Montserrat College of Art, Beverly, MA
The Summer of Abstractions, Syracuse Technology Garden, Syracuse, NY
Chicago Art Open, Chicago, IL
2006 - Chicago Art Open, Zhou B. Art Center, Chicago, IL
2005 - Chicago Art Open, Third Floor Gallery, Chicago, IL
Art Intersect Science: A Benefit Event Celebrating Art and Science, Lucid Gallery,
San Francisco, CA
Endometriosis Association 25th Anniversary Conference Auction, Four Points Sheraton,
Milwaukee, WI
2004 - DNA: Art and Science - the Double Helix, University of South Florida Contemporary Art Museum, Tampa, FL
BioArt Exhibit, 7th National Undergraduate Bioethics Conference, University of Michigan,
Ann Arbor, MI
2003 - Essence, State University of West Georgia, Carrollton, GA
Essence, Georgia Institute of Technology, Atlanta, GA
Members' Show, Walker's Point Center for the Arts, Milwaukee, WI
2002 - Dialogue Between Art and Science, Metropol, Ceske Budejovice, Czech Republic
Genome, City Without Walls, Newark, NJ
Earth, Air, Fire and Water, University of Wisconsin-Whitewater, Whitewater, WI
Earth, Air, Fire and Water, Walker's Point Center for the Arts, Milwaukee, WI
Members' Show, Walker's Point Center for the Arts, Milwaukee, WI
2001 - Art and Science, XI Biennial International Art Exhibition Vila Nova de Cerveira, Portugal
Life Drawing, Union Gallery, University of Wisconsin-Milwaukee, Milwaukee, WI
Members' Show, Walker's Point Center for the Arts, Milwaukee, WI
2000 - Nonsolo Genetica, Collegio Cairoli, Università degli studi Pavia, Pavia, Italy
Seeds, Shomeido Gallery, Tokyo, Japan
Artexpo, New York, NY
Members' Show, Walker's Point Center for the Arts, Milwaukee, WI
1999 - Zero and One, Keio University, Shonan Fujisawa Campus, Tokyo, Japan
The Art of Women, Promega Biotechnology Company, Madison, WI
1998 - Off the Wall, South Bend Regional Museum of Art, South Bend, IN
Country Without Borders, 450 Broadway Gallery and Abraham Lubelski Gallery,
New York, NY
Renaissance 2001 Project, Tubal Cain Gallery, Contemporary Arts Foundation,
Harrogate, England
Post-Postcard III, Four Walls Artspace, San Francisco, CA
Binary Code, Trans-Hudson Gallery, New York, NY
Outrageous Acts and Little Intimacies, Common Wealth Gallery, Madison, WI
1997 - Change Becomes Us, Common Wealth Gallery, Madison, WI
SPEECHES ON THE FUSION OF ART AND SCIENCE
Artists at Work Forum: Studio as Lab, Chicago Cultural Center, Chicago, IL, June 17, 2010.
School of the Art Institute of Chicago, September 18, 2008.
Panel Discussion, Montserrat College of Art, Montserrat Gallery, Beverly, MA, March 16, 2007.
Artreach Lecture Series, Montserrat College of Art, Montserrat Gallery, Beverly, MA, March 16, 2007.
Aglow in the Dark: Art/Science and Bioluminescene, American Museum of Natural History, New York, NY, January 25, 2007.
Tri-Beta, Biological Honor Society Lambda Omega Chapter, Loyola University Chicago, Chicago, IL, January 22, 2007.
Loyola University Museum of Art, Chicago, IL, April 2, 2006.
Chicago Area Undergraduate Research Symposium Keynote Address, Chicago, IL,
April 1, 2006.
Chicago-Kent College of Law, Chicago, IL, March 7, 2006.
Dialogue Between Science and Art Workshop, Hluboka, Czech Republic, July 2005.
Honors College at Oakland University, Rochester, MI, March 21, 2005.
University of Alabama School of Public Health, Birmingham, AL, February 20, 2004.
Dialogue Between Science and Art Workshop, Hluboka, Czech Republic, July 16, 2003.
University of Wisconsin-Milwaukee, Milwaukee, WI, January 31, 2003.
University of Michigan Genetics Department, Ann Arbor, MI, September 23, 2002.
University of Michigan School of Art and Design, Ann Arbor, MI, September 20, 2002.
Milwaukee Institute of Art and Design (MIAD), Milwaukee, WI, April 24, 2002.
Massachusetts Institute of Technology (MIT), Cambridge, MA, March 13, 2002.
University of Wisconsin-Parkside, Kenosha, WI, February 15, 2002.
Walker's Point Center for the Arts, Milwaukee, WI, May 5, 2001.
PUBLIC AND PRIVATE COLLECTIONS
National Institutes of Health (NIH)
Promega Biotechnology Company, Madison, WI
University of Wisconsin - Milwaukee
Private collections in the United Kingdom and throughout the United States including California, Illinois, Iowa, Louisiana, Maryland, New Jersey, Ohio, Utah, Virginia , and Wisconsin
COMMISSIONS
Biological Domains, Loyola University Chicago, 2008-2011.
Frontiers in Science Seminar Posters, Loyola University Chicago, 2005, 2007-2010.
Cancer Genomics painting, National Institutes of Health (NIH), 2006.
Cancer Proteomics painting, National Institutes of Health (NIH), 2006.
Cover art, Nature Genetics, April 2004.
Cover art, Trends in Ecology and Evolution, April 2001.
COVERS (PUBLISHED ARTWORK)
Nature Biotechnology, July 2005
Nature Genetics, April 2004
Phoebe: A Journal of Literature and Art, Spring 2003 (back cover)
Genetics in Medicine, September/October 2002
Nature Reviews Genetics, September 2001
Nature Reviews Genetics, August 2001
Trends in Ecology and Evolution, June 2001
Nature Reviews Genetics, January 2001
Developmental Dynamics, September 2000
Genetics in Medicine, November/December 1999
The EMBO Journal, December 15, 1999
Neural Notes, Winter 1999
The EMBO Journal, November 2, 1998
The EMBO Journal, August 3, 1998
Feminist Voices, June 1998
The Dialogue: A Literary Journal, Spring 1991
PUBLICATIONS
Schier Anna, “Scientists as Artists,” Chicago Art Magazine (chicagoartmagazine.com) August 5, 2010.
“Making art from bacteria,” Wired UK (www.wired.co.uk), December 22, 2009 (United Kingdom).
Scott, Katie, “Masterworks in Petri dishes,” New Scientist (newscientist.com), December 11, 2009 (United Kingdom).
“Living Art,” BIO Show Daily, May 19, 2009.
“The Artistic Perspective of Biotech,” VISION Magazine, April 2009 (China).
Dodwell, Lucy, “Gallery: Painting the life within,” New Scientist, November 8, 2008 (United Kingdom).
Dodwell, Lucy, “Gallery: When genetics meets art,” newscientist.com, November 3, 2008 (United Kingdom).
Blonska, Anna, “Biology painted,” KopalniaWiedzy.pl, October 11, 2008 (Poland).
Alvarez, Esteban, "An Esthetical View Over Viral Universe," elniuton.com, August 7, 2008 (Bogota, Columbia).
Cook, Greg, “Culture war games,” The Boston Phoenix, March 30-April 5, 2007.
Johnson, Ken, “Art from the science lab: It’s weird, but to what effect?” The Boston Globe, March 14, 2007.
Weir, Kirsten, “Biotechnology on display: A gallery-turned-laboratory fuses art and science, ”www.the-scientist.com", March 9, 2007.
“It’s Alive, and It’s Kind of Disturbing,” medGadget, February 20, 2007.
“It’s Alive: A Laboratory of Biotech Art,” artdaily.org, February 20, 2007.
“It’s Alive! A Laboratory of Biotech Art,” Winter Street Review, February 17, 2007.
Schoonmaker, Rebecca, “Montserrat comes ‘Alive’ with a new show melding science and art,” The Eagle-Tribune, February 16, 2007.
Schoonmaker, Rebecca, “Montserrat comes ‘Alive’ with a new show melding science and art,” Gloucester Daily Times, February 16, 2007.
Schoonmaker, Rebecca, “Montserrat comes ‘Alive’ with a new show melding science and art,” The Salem News, February 16, 2007.
Hopkins, Randi, “’It’s Alive!’ at Montserrat,” The Phoenix, February 6, 2007
Artner, Alan G., “Art Reviews: Drawings Seduce with Illusion of Spontaneity,” Chicago Tribune, April 7, 2006.
“Science and Art at the Loyola University Museum of Art,” Art Knowledge News (www.artknowledgenews.com), March 2006.
Hax, Andres, “Arte: en los abismos de la genetica,” Clarin, September 11, 2005 (Argentina).
Stannard, Jennifer, “O'Reilly Art Exhibit Fuses Art and Science,” Kaleidoscope, February 17, 2004.
“Talk: Show Examines Fusion of Art, Science,” UAB Reporter, February 9, 2004.
Guldan, Dale, “Seeing the Light in Science and Art,” Milwaukee Journal Sentinel, January 16, 2004.
Cole, Kevin, “Art and Science 101; Deconstructing Hunter: Will the Real Bionic Woman Please Stand Up?” dialogue: the art, architecture, and design journal of the Heartland, July/August 2003.
Sacristán, Alejandro, “Genes con arte,” Muy Interesante, March 2003 (Spain).
Martini, Rocco, “Beau comme un Virus,” Max, January 2003 (France).
Lynch, Kevin, “The Art of Science,” The Capital Times, January 24, 2003.
Kidd, Jennifer, “DNA and Diseases Infect Canvases: Science and art collide in O'Reilly exhibit,” The Daily Cardinal, January 24-26, 2003.
Webb, Molly, “Fusing Art, Science and Technology,” The Badger Herald, January 22, 2003.
“Désirs de Clonage,” Le Monde, December 28, 2002. (France)
Lavrador, Judicaël, “Bio Art: La Gènes Génération,” Beaux Arts magazine, November 2002. (France)
“The Art of Biotechnology,” dialogue Art Magazine, November/December 2002.
Cohen, Hal, "Bioscience Moves into Galleries as Bioart," The Scientist, November 11, 2002.
Cohen, Hal, “Life posing as art,” The Scientist, September 30, 2002.
Cantu, John Carlos, “Joining art, science: Geneticist's work, on display at Robbins Gallery, explores ethics,” Ann Arbor News, September 14, 2002.
Provenzano, Frank, “DNArtist: The lab inspires geneticist's artwork, on exhibit at U-M,” Detroit Free Press, September 4, 2002.
Provenzano, Frank, “Biotechnology and ethics,” Detroit Free Press, September 4, 2002.
Newvine, Colleen, “Geneticist brings art exhibit about ethical questions of science to U-M,” University Record, September 3, 2002.
Norris, Kyle, “Splicing Art and Science,” Current Magazine, September 2002.
Reinert, Birgit, “Abstractions on Biotechnology” by Hunter O’Reilly," Genome News Network (gnn.tigr.org), August 30, 2002.
Philipkoski, Kristen, “Behold: ‘Ebola Is Beautiful’,” Wired News (Wired.com), August 19, 2002.
Reinert, Birgit, “Reinterpreting Biotechnology: ‘Digital Art’ by Hunter O’Reilly,” Genome News Network (gnn.tigr.org), August 16, 2002.
“Biology in art,” Medical Post, August 13, 2002.
Holden, Constance, “Yes, This Is Art,” Science, July 26, 2002.
Bill Robbins, “Art and Science,”Kenosha News, March 6, 2002.
Morales, Geary, “Can Art and Science Coexist, or Is the Partnership an Oxymoron?
Dr. Hunter O'Reilly, Geneticist, Artist Takes on Conventional Wisdom!” Milwaukee Post,
May 26, 2001.
Boyle, Michelle C., “Science, Art Present Wild Mixture of Form,” Irish American Post,
May 2001.
Wawzenek, Bryan, “The Art of Science: Scientist Makes Diseases Look as Pleasant
as Paintings,” Marquette Tribune, April 25, 2001.
Frank, Nicholas, “Radioactive Biohazard at WPCA,” The Orbit, April 2001.
“Radioactive Biohazard: Dr. Hunter O'Reilly, Ph.D. and Electric Eye Neon,” AbsoluteArts.com Arts News, April 20, 2001.
Guequierre, Nathan, “Critics Choice for Visual Art,” Shepherd Express,
April 19 - April 25, 2001.
Mueller, Jon, and OMC Staff Writers, “O'Reilly Reinterprets Science as Art,” OnMilwaukee.com, April 16, 2001.
Blue, J. Michael, “Hunter O'Reilly: Artist and Geneticist,” Arts Indiana Magazine, November/December 1999.
Waters, Ann, “A Walk on the Female Side,” The Fitchburg Star, April 22, 1999.
Penn, Michael, “The Many Hats of Hunter,” On Wisconsin, Spring 1999.
Richmond, Kaya, “Local Artist Mixes Science and Art to Yield Paintings,”
The Badger Herald, February 8, 1999.
Aehl, John, “Art on the Line,” Wisconsin State Journal, November 22, 1998.
Quate, Rebecca , “Art's in the genes?” Madison Magazine, November 1998.
Hanefeld, Dana, “An Uncommon Perspective,” South Bend Times, September 20, 1998.
Dylag, Sarah, “Artist and Geneticist? For University of Wisconsin Ph.D. Prospect
Hunter O'Reilly, It's All in a Day's Work,” The Observer, September 2, 1998.
Templer, Kelly E., “Geneticist Practices the Science of Art,” The Daily Cardinal,
March 26, 1998.
Esikoff, Alexei , “Artist and Geneticist Brings Work to UW,” The Badger Herald,
March 26, 1998.
TELEVISION
Artists at Work Forum: Studio as Lab, Chicago Access Network Television (CAN TV), Channel 21, August 15, 2010, Channel 19, August 17, 2010, and Channel 21, August 24, 2010
Avila Fine Art Lovers, Chicago Access Network Television (CAN TV), Channel 19,
March 10 and March 12, 2006
In Wisconsin, Wisconsin Public Television, January 8, 2004
E! Entertainment Television, May 8, 2000
Open Studio, Indiana Public Television, January 9, 2000
Evening News, WMTV Channel 15 (NBC, Madison, WI), April 13, 1999
Noon News, WISC-TV Channel 3 (CBS, Madison, WI), March 26, 1999
WeekEnd, Wisconsin Public Television, November 13, 1998
RADIO
The Sunday Show, ABC Radio Victoria (Melbourne, Australia), July 6, 2003
Reitman and Mueller Morning Show, 94.5 WKTI (Milwaukee, WI), May 8, 2000
PUBLISHED ARTWORK
Birmingham Weekly, February 19-February 26, 2004
Phoebe: A Journal of Literature and Art, Spring 2003
Oxford Brookes University Brochure, UK, 2001
Expressions Journal, September 2001 - February 2002
Lynx Eye: A ScribbleFest Literary Group Publication,
Fall 2001, Spring 2001, Winter 2001, Fall 2000 and Summer 2000
Mediphors: A Literary Journal of the Health Professions, 2000
Bathtub Gin: A Biannual Literary/Art Magazine, Spring 2000
Nerve Cowboy, Spring 2000 and Fall 2000
LitRag: A Journal of Poetry, Fiction and Art, Winter 2000
Feminist Voices, June, July-August, September, October, November/December 1998
The South Bend Tribune, September 17, 1998
Wisconsin State Journal Rhythm: Art and Entertainment, March 12, 1998
The Dialogue: A Literary Journal, Spring 1992 and Fall 1991
PUBLICATIONS BY HUNTER COLE (formerly Hunter O’Reilly)
Davis, J., Boyd, D., O’Reilly, H. & Wieczorek, M. Art and Genomics: Phenotype and Genotype in Genetic Art. Encyclopedia of Life Sciences (ELS), 2006.
O'Reilly, Hunter, “What happens when art and science collide?” Ranger News, February 14, 2002.
O'Reilly, Hunter, “CWWCA Provides Exceptional Opportunities for Women Artists: Feminist Art on Exhibit at the Common Wealth Gallery,” Feminist Voices: A Madison Area News Journal, October 1998.
O'Reilly, Hunter, “Katherine Steichen Rosing: Journey to Abstraction, Art Exhibition in Madison,” Feminist Voices: A Madison Area News Journal, September 1998.
O'Reilly, Hunter, “Karen Foget: A Look at Ordinary Things with Extraordinary Vision,” Feminist Voices: A Madison Area News Journal, September 1998.
RESEARCH EXPERIENCE
The McArdle Laboratory for Cancer Research, September 1993 - December 2000
The U.S.D.A. Plant Gene Expression Center, September 1991 - August 1993
ABSTRACTS OF SCIENTIFIC TALKS GIVEN AT INTERNATIONAL MEETINGS
1998 - Molecular Biology of Small DNA Tumor Viruses Meeting, University of Wisconsin-
Madison, Madison, WI
1997 - The Imperial Cancer Research Fund Tumour Virus Meeting, Churchill College,
Cambridge, England